Well my dissertation is finally finished. I walked out of the printers this morning after having them bound with a silly grin all over my face. All 63 pages, plus the two editions (times two as two copies of everything have to be submitted) and the extra copies of the previous four assigments.
It sure feels good to know that it is all over. Just have to go into London on Tuesday to submit my portfolio and dissertation and then sit back and wait for the results.
Here he is...the man responsible for it all... Ernesto Cavallini (1807 -1874) Quite a debonair gentleman wasn't he?

Ernesto Cavallini - Virtuoso Clarinettist, teacher and composer. An overview of his life and music in addition to a performance and critical edition of two of his works.
What I never remembered to say was.... I got a DISTINCTION!
The reason I'm telling you this?Well people have commented on my name 'Serenata' which of course isn't my real name, but a name I use online. Serenata is one of my favourite works written by Cavallini and one which I performed for my Masters recital and then again to a 'proper' audience on St Cecelia's day, 22nd November 2007.
This is my part of my post of that day:
Saint Cecilia is the patron saint of musicians and church music. She certainly watched out for me. The recital went well and I was particularly pleased with my rendition of Serenata by Ernesto Cavallini. I had lots of lovely positive feedback and an invitation to play for the Leytonstone Festival in July 2008! The festival will be in its 15th year. Of course I said yes. It was so different performing for an appreciative audience as opposed to being assessed for an exam. We had a very good sized audience, with quite a few returning after hearing me play in March 2007.
Richard and I 'posing' after the recital.
These were my programme notes:
Serenata
Ernesto Cavallini (1807—1874)
In the 19th Century opera was king. Everything, especially in Italy, was dominated by this great social phenomena and not even instrumental music escaped its influence. The fantasy on operatic themes was a specific Italian genre. The 19th Century was also the time of the virtuoso and Paganini immediately comes to mind. Ernesto Cavallini, an Italian virtuoso clarinettist, has become known as the ‘Paganini of the Clarinet’. He is the clarinettist for whom Verdi wrote the clarinet solo Prelude to Act III in the opera La Forza Del Destino. Like many instrumentalists of the time Cavallini used opera, in particular the arias, to base many of his compositions and wrote primarily to display his virtuosic skills.
Serenata could be thought of as being in two movements. The first, a lyrical operatic slow movement, vocal and serious when necessary, as one would expect in a work with this title. The second, being broken into three distinct sections, each becoming more energetic and virtuosic leading to a lively, almost frivolous coda.
So now you know!






















I've still got to sort through this lot.
Draw lined and filled with cottons.
Some of my crafting displayed on the top. 











The Ceanothus is looking beautiful.




